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Live performance from Chorégies d'Orange, 11 July 2015.

After a first recital at the majestic Royal Opera of Versailles in December 2020, followed by performances at the Philharmonie de Paris, Mika discovers the Chorégies d'Orange for the first time. Thanks to Simon Leclerc's mischievous arrangements, the pop star reinvents his hits accompanied by the Orchestre national Avignon-Provence and the Chœur Région Sud conducted by Michel Piquemal. More than a return to his roots, this symphonic concert is a journey into the intimate history of its performer. A journey during which several genres and cultures come together. A wonderful journey that only Mika knows how to create, guided by his curiosity and his desire to break the rules.

Musiques en fête has been held every summer since 2011 to kick off the Chorégies d'Orange season. This year, Musiques en fête pays tribute to cinema! Judith Chaine and Cyril Féraud will join 8,000 spectators at the Théâtre antique d'Orange for an unforgettable evening filled with the emotions and magic of the silver screen. Through the most beautiful film scores, as well as excerpts from operas, operettas, musicals, and French songs, this unique event will celebrate music with an eclectic program.

A 3,000-year-old statue, stolen from an international museum, lands in Gujarat and falls into the hands of pickpockets Nagda and Pintu, who trade it to hotel owner Dhanraj to cover their food bill. When they discover that the government is offering a reward of ₹50,00,000 for the statue, they decide to steal it back from Dhanraj's mansion. Meanwhile, unemployed friends Raju and Santosh, dressed as policemen, arrive to steal jewelry. When the duo encounter Nagda and Pintu, they learn about the valuable statue and join the hunt.

Rajkumari Ophelia wants Devi Maa's statuette, which is located in Pratapgarh, recruits Sher Singh to carry out this task, and will marry him if he brings it to her. He sets out to do so, but before that could happen, Thakur takes it's possession, incurring Devi Maa's wrath, and he ends up losing his son. Fearing that the rest of the family will also perish on the day of the Khumbh Mela, he instructs his brother, Ranjeet, to ensure that the statuette is replaced in the Mandir, but Ranjeet is unable to do so, gets separated from his daughter, Meena, and becomes insane. Ramlal, who has the statuette, disappears; his wife gets separated from their son, Birju, while her brother-in-law, Mangal, is arrested and jailed for killing Rana, and she re-locates to live in Bombay with Mangal's son, Shekhar.

This all-star cast is framed by Peter Hall’s gritty, realistic production and conducted by James Levine, who brings out all the surging emotion and gripping drama in Bizet’s score. At the center of the story is Agnes Baltsa, whose smoky mezzo is tailor-made for the gypsy Carmen, an independent woman who glories in obeying only her own rules, but who is haunted by fate. Superstar tenor José Carreras is Don José, the solider from a small town who catches Carmen’s eye and is destroyed by his growing obsession with her. Samuel Ramey is the charismatic matador Escamillo, who lures Carmen away from Don José with tragic result. Leona Mitchell is Micaëla, the simple girl from Don José’s hometown who cannot save him. March 21, 1987 Matinee Broadcast.

Carmen, wants to fame .. and can not find a solution but lying, but fall in love (Tawfiq), putting it in comic situations.

In more repressed times, Carmen was one of NZ's most colourful and controversial figures. Geoff Steven's doco traces the life story of the transgender icon who was born in Taumarunui in 1936 and went on to be a dancer, sex worker, madam, cafe owner — and one of the few non-MPs to appear before the Privileges Committee.

In a small village close to the mountains, Mariana and Puiu are a young family with two children: Carmen and Mircea. One morning, the mother and the ten year-old daughter leave for Bucharest, having a hospital as their destination. One doctor alone, Sitaru, believes that Carmen, who can no longer smile, stands any chances at survival. He believes he can perform a miracle and save Carmen's life. Struggling for her daughter, abandoned by almost everybody she trusted, Mariana discovers she is pregnant. After dr. Sitaru operates on the little girl, in a risky manner, Carmen begins to feel increasingly worse. Without any hope, Mariana leaves the hospital and rushes to take Carmen home: while one life ends, another one begins to flicker.